Why didn't y ou initially want to participate in making this movie ? The Los Angeles Times caught up with Lin to talk about the film, how his career impacted the Asian American community and the Linsanity of it all. New York City was already in a frenzy about this unheralded Knicks player, and when Kobe Bryant stepped on the court at Madison Square Garden, it was total pandemonium. 10, 2012, game against the Lakers when Lin scored a remarkable 38 points. Now streaming on HBO Max, "38 at the Garden" chronicles that special season, culminating exactly 11 years ago at a Feb.
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But the persistent filmmakers behind the Oscar-shortlisted documentary "38 at the Garden" - including director Frank Chi and producers Travon Free and Samir Hernandez - eventually were able to persuade Lin to participate in the film and illustrate how impactful he was, unknowingly, to the Asian American community. He had moved on from that period with the New York Knicks, later joining the Houston Rockets and Los Angeles Lakers, winning a championship with the Toronto Raptors and playing in China. An Asian American kid born in Torrance who played college ball at Harvard, Lin is quiet, hard-working and not the kind of player, or person, who draws attention to himself.Ī movie? About himself and that time ? It wasn't something that Lin looked forward to revisiting. The former NBA player, whose sudden ascendance to superstardom was dubbed Linsanity, is humble about that time during the 2011-12 season.
Jeremy Lin did not want to make a nostalgia piece. (Icon Sports Wire / Corbis / Icon Sportswire via Getty) 10, 2012, a game in which he scored 38 points. Rated R.Jeremy Lin drives to the basket during the second quarter on Feb. But its cast and script are so uneven, and its concepts so derivative, that it can only be destined for that great interstellar trash heap in the sky. It’s a fleetingly entertaining, satisfyingly dark piece of space debris. It isn’t that “Pandorum” is a terrible movie. The rest of the actors fail to live up to Foster’s standard, from Quaid on down, content to infuse Milloy’s already stupid dialogue with the least possible depth. That’s why it’s all the more fun to watch him strap on an arm laser and take down some raging mutants. Lanky, soft-spoken and cerebral, he isn’t your typical action hero. I’m talking about Foster, who brings a layered performance to a character who would otherwise be one-dimensional. The best thing “Pandorum” has going for it is its star – and I don’t mean Quaid, although he is the film’s big name. There are plenty of gory close-ups and bone-crunching fight scenes, and a consistent sense of disorientation that jibes with the astronauts’ addled mental states. Still, that doesn’t make it OK.Īlvart brings a strong visual style to “Pandorum,” even if it’s not a very original one. Sensing a pattern?Īlvart and screenwriter Travis Milloy both have few previous credits to their names, so maybe it isn’t surprising that they’d borrow from the greats. And as in “2001: A Space Odyssey” and about 30 other movies, being in space too long seriously messes with our heroes’ minds. As in “The Poseidon Adventure,” a ragtag band of survivors must battle their way across a giant ship.
As in “Alien,” there are malevolent and springy creatures lurking in the dark. Though “Pandorum” comes with a genuinely freaky beginning and genuinely mind-bending ending, the in-between stuff is a big, patched-together mess. They’re seemingly alone aboard a massive, blacked-out spaceship that’s systems have gone haywire. Set in 2174, “Pandorum” follows Payton (Dennis Quaid) and Bower (Ben Foster), a pair of astronauts who wake up from hyper-sleep with a nasty case of amnesia.
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But don’t be fooled by his human skin – this space-thriller retread can only be the creation of the Rip-Off Robot. This is the nefarious automaton responsible for “Pandorum,” cleverly disguised as director Christian Alvart. It’s a machine feeding off the energy of sci-fi movies past, breaking them down to their basic plot elements and reassembling them into ungainly little monsters. Deep in the bowels of a lost spaceship, its crew long since dead, something is still churning.
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